Prabukvar

AR app Prabukvar pour paleobalkanic lettre préhistorique

Augmented reality app "Prabukvar"

The prehistoric letter ("Prabukvar") represents the meaning of the basic ideographic signs, whether the basis of the oldest script. They meet in a huge ethno-geographic cultural arena in the Balkans, Asia Minor, Ukraine to Central Europe. Enter with him in any museum in this area and you will get new knowledge about the idols, ritual vessels, and objects exhibited there. I review and analyze the elements of forced impoverishment of intellectual history and the obstacles to restoration of Paleo-Balkan spiritual culture. The primal ideographic signs form the messages, which present the most ancient religious ideas of the Paleo-Balkan population. They are also the actual donors of Sacred Script, whose first events date back to the late Neolithic (around 5500 BC). They culminate in prayers with which Orphism is proud.

In artefacts from early times, the forms are syncretic. Mythos and Logos are indivisible and the current spiritual state is reflected in them. Imagination works freely, without restrictions, by associative operation with the infinite human mind.

I define universal imagination as the dearest child of associative thinking. I search for its original editions, the result of primitive ideas that can not be understood in other ways than by themselves. In the field of nature science, all mistakes come from inappropriately formulated principles.

Cult plastic arts and rock sculptures materialize the universal belief in the Sun-God, which lived in ... Idols. Its formal feature is a cavity in a zoomorphic / anthropomorphic cult plastic forms or a (slit) rock that harbors the "fifth dimension" - a divine ray or just Light, offering a variety of results-a gift from God. Here are the biggest worshipers of the Sun, who create from the Rhodope (and not only) giant altars of god Ellis (the Thracian name of the Sun). Another group of sacred artefacts - the idols, central figures in ensembles of ritual vessels and objects, which are the characters of scenarios, suggesting to the Deity with actions and feasts (including sacrifices) what are the hopes of men. They arrange Sacred Table, and each subject has a role to play. This cult ensemble keeps the magic "awake", and the ritual reproduces it. It provokes autosuggestions and massive visions. They are an imaginative and ideoplastic expression of primary faith. Important insights, however, add the ideographic signs "painted" on the sacred artefacts. These messages tell of the most ancien tworldview and the first attempt to create a paradigm. The prayers with which Orphism is proud culminate in them. The main "culprit" for all this is the priestly

caste.

Jordan Detev

PhD of Philosophy