Sinhala Songs Audio for Clarence Wijewardena

Listen to all the Sinhala's Master Singer's songs with this App

Sinhala Songs Audio for Clarence Wijewardena

Listen to all the Sinhala's Master Singer's songs with this App

He was a vocalist and a composer. He sang and he scored. He also wrote. His melodies survive reassessments when it comes to applauding him. The man, not surprisingly therefore, wielded different sensibilities and abilities. His songs became landmarks, true. But none of them were ever uprooted and detached from the land of his birth.

He experimented with sitar music and introduced the sitar to some of the songs of the 'Moonstones.'

He was a musician's musician. He had the ability to grasp new trends in modern popular music. For the first time (for a recording) he used a guitar wah wah pedal for the song 'Pemkathwawa.' Also the song 'Sigiriya' was the first Bossa nova beat song in Sri Lanka and later he used this beat for the songs Piyaneni, Mage Palpathe, Muhudu Rella, Renin Piyabanna, Maliniye, Ramya (Previously sung by him in 4/4 beat), Ran Monarun (Winslow Six), Lalitha Kala (Chithra Somapala) etc.

Also he used two guitar players to play lead parts and counterparts of songs such as Sumudu Mal Pipinu, Dileepa Podi Puthu etc. For the first time in Sri Lanka he used the blocked guitar tone for the song 'Kusumalatha'

He introduced some of the guitar techniques through his songs via a single guitar harmony style in the introduction of "Dellepa podi puthu" and arpeggio styles in "Sihina Lowak" and "Malata Bambareku Se"

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